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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Štěpán Altrichter’s Schmitke (2014)

Vol. 75 (May 2017) by Konstanty Kuzma
Konstanty Kuzma asks what drives young directors to the home of their parents to make films.
Review

Kristýna Bartošová’s The Dangerous World of Doctor Doleček (Nebezpečný svět Rajka Dolečka, 2015)

Vol. 75 (May 2017) by Konstanty Kuzma
A director whose extended family fell victim to the Srebrenica massacre decides to make a film about one of its most prominent deniers.
Review

Tereza Nvotová’s Filthy (Špína, 2017)

Vol. 74 (April 2017) by Konstanty Kuzma
Tereza Nvotová takes on the sensitive issue of rape.
Review

Zuzana Piussi’s Czech Allah (Český Alláh, 2017)

Vol. 73 (March 2017) by Konstanty Kuzma
Zuzana Piussi's documentary recounts the Czech refugee debate.
Review

Jiří Strach’s Osmy (2014)

Vol. 71 (January 2017) by Konstanty Kuzma
In Jiří Strach's grotesque comedy, a man is mistaken for a dissident when he signs the Charta 77 during a night of heavy drinking.
Interview

Sonja Schmid on Chernobyl

Vol. 65 (May 2016) by Konstanty Kuzma
We discussed the Chernobyl disaster with nuclear energy expert Sonja Schmid on the occasion of our special Chernobyl issue.
Review

Nikola Ljuca’s Humidity (Vlažnost, 2016)

Vol. 64 (April 2016) by Konstanty Kuzma
Nikola Ljuca unmasks the hypocrisy of Serbia’s elite in his compelling feature.
Review

Renars Vimba’s Mellow Mud (Es esmu šeit, 2016)

Vol. 63 (March 2016) by Konstanty Kuzma
Like many coming-of-age-stories, Mellow Mud by first-time director Renārs Vimba struggles with over-identification.
Review

Ričardas Marcinkus’ Final Destination (Galutinis tikslas, 2013)

Vol. 62 (February 2016) by Konstanty Kuzma
Lithuanian filmmaker Ričardas Marcinkus deliberates the role of the filmmaker in his provocative documentary.
Review

Juris Kursietis’ Modris (2015)

Vol. 61 (January 2016) by Konstanty Kuzma
Can we care about a story whose protagonist does not? Juris Kursietis' debut feature strains our sympathetic powers.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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