• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

János Szász’s Opium: Diary of a Madwoman (Ópium: Egy elmebeteg nö naplója, 2007)

Vol. 33 (September 2013) by Patricia Bass
Patricia Bass addresses director János Szász's unimaginative obsession with shock and wickedness.
Essay

Věra Chytilová’s Daisies (Sedmikrásky, 1966)

Vol. 28 (April 2013) by Patricia Bass
Patricia Bass compares aspects of Věra Chytilová's Daisies to the American TV-Series The Jersey Shore.
Essay

The Video Art of Sanja Iveković

Vol. 26 (February 2013) by Patricia Bass
Patricia Bass deliberates the meaning of language for Iveković's work.
Review

André de Toth’s Crime Wave (1954)

Vol. 25 (January 2013) by Patricia Bass
Patricia Bass saw this film noir from Hungarian director André De Toth.
Review

J. Scheljabuschski’s Katok (1927), M. Benderskaja’s Prikljutschenija kitajtschat (1928), N. Chodatajew’s Budem sorki (1927), L. Amalrik and I. Iwanow-Wano’s Blek end uait (1932)

Vol. 15 (March 2012) by Patricia Bass
Patricia Bass discusses four Soviet animated films from the late 1920s and early 1930s that were screened during this year's Berlinale retrospective.
Review

Srđan Dragojević’s The Parade (Parada, 2012)

Vol. 15 (March 2012) by Patricia Bass
Srđan Dragojević's latest piece converts the struggles of Serbia's gay activists into a stylized, high-paced 'dramedy'.
Review

Wladimir Schnejderow’s The Golden Lake (Zolotoje Osero, 1935)

Vol. 14 (February 2012) by Patricia Bass
This feature from 1935 takes place in the remote Altai mountains of the Soviet Union.
Interview

Rainer Rother on the Berlinale ’12 Retrospective

Vol. 14 (February 2012) by Patricia Bass
Rainer Rother, director of the Berlinale RETROSPECTIVE section, speaks about this year’s “The Red Dream Factory” retrospective.
Review

Philip Scheffner’s Revision (2012)

Vol. 14 (February 2012) by Patricia Bass
Patricia Bass saw Philip Scheffner’s documentary that screened at the Berlinale this year.
Review

Walerian Borowczyk’s Les jeux des anges (1964)

Vol. 12 (December 2011) by Patricia Bass
Patricia Bass saw Walerian Borowczyk's experimental short from 1964.
Page 2 of 3«123»


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT