Laila Pakalniņa on Spoon

Vol. 96 (Summer 2019) by Zoe Aiano
Laila Pakalniņa discusses the approach to and rhythm of her project, and shares her thoughts on the need to disappoint sometimes.

Yuriy Shylov’s Projectionist (Panorama, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A movie projectionist and his work-place compete for the center spot in this ambivalent documentary from Ukraine.

Yuriy Shylov on Projectionist

Vol. 96 (Summer 2019) by Zoe Aiano
Ukrainian filmmaker Yuriy Shylov speaks about the main idea behind his film, and explains how it relates to current happenings in Ukraine.

Antonio Lukich’s My Thoughts Are Silent (Moi dumki tikhi, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A sound engineer, his mother, and a mysterious duck are the three protagonists of this image-driven road movie.

Paweł Ziemilski’s In Touch (2018)

Vol. 94 (April 2019) by Zoe Aiano
How do you make sense of a loved one’s daily life in a parallel universe?

Teona Strugar Mitevska’s God Exists, Her Name Is Petrunya (Gospod postoi, imeto i’ e Petrunija, 2019)

Vol. 93 (March 2019) by Zoe Aiano
A woman's spontaneous participation and triumph in an all-male Epiphany event spells trouble.

Hristiana Raykova on The Pit

Vol. 93 (March 2019) by Zoe Aiano
Raykova explains how she found her film's setting and themes, how she settled on its aesthetics, and what it is like to film a predominantly male environment as a woman.

Hristiana Raykova’s The Pit (Die Grube, 2019)

Vol. 93 (March 2019) by Zoe Aiano
Hristiana Raykova portrays a communal bath's group of frequent visitors in Varna, Bulgaria.

Marius Olteanu’s Monsters. (Monștri., 2019)

Vol. 93 (March 2019) by Zoe Aiano
Monsters depicts the crisis point in a relationship between a young, seemingly well-to-do couple.

Rolands Kalniņš’ Four White Shirts (Četri balti krekli, 1967)

Vol. 90 (December 2018) by Zoe Aiano
Rolands Kalniņš’ critique of Soviet censorship was restored last year to mark the director's 95th birthday.
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