• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Teona Strugar Mitevska’s God Exists, Her Name Is Petrunya (Gospod postoi, imeto i’ e Petrunija, 2019)

Vol. 93 (March 2019) by Zoe Aiano
A woman's spontaneous participation and triumph in an all-male Epiphany event spells trouble.
Interview

Hristiana Raykova on The Pit

Vol. 93 (March 2019) by Zoe Aiano
Raykova explains how she found her film's setting and themes, how she settled on its aesthetics, and what it is like to film a predominantly male environment as a woman.
Review

Hristiana Raykova’s The Pit (Die Grube, 2019)

Vol. 93 (March 2019) by Zoe Aiano
Hristiana Raykova portrays a communal bath's group of frequent visitors in Varna, Bulgaria.
Review

Marius Olteanu’s Monsters. (Monștri., 2019)

Vol. 93 (March 2019) by Zoe Aiano
Monsters depicts the crisis point in a relationship between a young, seemingly well-to-do couple.
Review

Rolands Kalniņš’ Four White Shirts (Četri balti krekli, 1967)

Vol. 90 (December 2018) by Zoe Aiano
Rolands Kalniņš’ critique of Soviet censorship was restored last year to mark the director's 95th birthday.
Review

Kristīne Briede and Audrius Stonys’ Bridges of Time (Laika tilti, 2018)

Vol. 90 (December 2018) by Zoe Aiano
Kristīne Briede and Audrius Stonys revisit the protagonists of Baltic Poetic Documentary.
Review

Lauri Lagle’s Portugal (2018)

Vol. 90 (December 2018) by Zoe Aiano
Both protagonist and script to Lauri Lagle’s feature suffer from existential disorientation.
Review

Maria Avdjushko’s Fire Lily (Tuliliilia, 2018)

Vol. 89 (November 2018) by Zoe Aiano
Maria Avdjushko tackles motherhood in a film poised between psychological thriller and horror film.
Interview

Maria Avdjushko on Fire Lily

Vol. 89 (November 2018) by Zoe Aiano
Estonian Filmmaker Maria Avdjushko speaks about her debut feature and reflects on the role of women in the film industry.
Review

Sergei Loznitsa’s Donbass (2018)

Vol. 85 (May 2018) by Zoe Aiano
In his latest film, Loznitsa dwells on the cacophony and chaos of the Donbass region.
Page 5 of 10« First...«4567»10...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • SUPPORT US

© 2023 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT