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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Bujar Alimani’s The Delegation (Delegacioni, 2018)

Vol. 95 (May 2019) by Moritz Pfeifer
The impending regime change in Albania post-1989 provides Bujar Alimani with many opportunities for dry humor.
Review

Ismet Sijarina’s Cold November (Nëntor i ftohtë, 2018)

Vol. 95 (May 2019) by Isabel Jacobs
What was life like in Kosovo in the years leading up to Yugoslavia's violent disintegration?
Interview

Ismet Sijarina on Cold November

Vol. 95 (May 2019) by Isabel Jacobs
Ismet Sijarina speaks about Cold November, which is based on his childhood recollections of growing up in Kosovo before the Yugoslav Wars.
Review

Nebojša Slijepčević’s Srbenka (2018)

Vol. 95 (May 2019) by Konstanty Kuzma
This documentary follows the staging of a Croatian theater play that reflects on the sad legacy of ethnic strife.
Review

Teona Strugar Mitevska’s God Exists, Her Name Is Petrunya (Gospod postoi, imeto i’ e Petrunija, 2019)

Vol. 93 (March 2019) by Zoe Aiano
A woman's spontaneous participation and triumph in an all-male Epiphany event spells trouble.
Interview

Damjan Kozole on his Films

Vol. 92 (February 2019) by Alice Heneghan
Slovenian filmmaker Damjan Kozole speaks about the idea behind his 2003 feature Spare Parts, his career beginnings, and the future of cinema.
Review

Anja Kofmel’s Chris the Swiss (2018)

Vol. 92 (February 2019) by Alice Heneghan
Illustrator Anja Kofmel paints a subjective portrait of her journalist-turned-soldier cousin Christian Würtenberg, who died during the Yugoslav wars.
Review

Simona Kostova’s Thirty (Dreissig, 2018) & Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 92 (February 2019) by Rohan Crickmar
Two female filmmakers with Balkan background work around the edges of their own biographies.
Review

Igor Bezinović’s Cartolina de Momjan (2018)

Vol. 91 (January 2019) by Alice Heneghan
This Croatian short blows a breath of the Adriatic sea across the screen.
Interview

Igor Bezinović on Cartolina de Momjan

Vol. 91 (January 2019) by Alice Heneghan
Bezinović speaks about his experiences at the Trieste Film Festival, the themes that interest him, and future projects.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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