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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Lukáš Kokeš & Klára Tasovská’s Nothing Like Before (Nic jako dřív, 2017)

Vol. 85 (May 2018) by Alice Heneghan
Lukáš Kokeš and Klára Tasovská took to a Czech border town to portray four local students in the lead up to their final exams.
Essay

S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.
Review

Jan Němec’s Oratorio for Prague (Oratorium pro Prahu, 1968)

Vol. 84 (April 2018) by Daniil Lebedev
Daniil Lebedev recounts the feeling of shock attending the filming and unfolding of the Prague Spring.
Review

Jan Hřebejk’s Cosy Dens (Pelíšky, 1999)

Vol. 84 (April 2018) by Colette de Castro
This late 1990s film recounts the normality of everyday life leading up to the Prague Spring.
Interview

Jana Počtová on Non-Parent

Vol. 83 (March 2018) by Alice Heneghan
Czech documentarian Jana Počtová discusses her ideas on family and her filmmaking method.
Review

Jana Počtová’s Non-Parent (Nerodič, 2017)

Vol. 83 (March 2018) by Alice Heneghan
Together with her protagonists, Czech documentarian Jana Počtová reflects on parenthood.
Interview

Jan Gebert on When the War Comes

Vol. 82 (February 2018) by Zoe Aiano
We spoke to Czech filmmaker Jan Gebert about his latest documentary, political developments in Central Europe, and differences between journalism and filmmaking.
Review

Jan Gebert’s When the War Comes (Až přijde válka, 2018)

Vol. 82 (February 2018) by Zoe Aiano
Jan Gebert’s film documents the synchronous radicalization and normalization of a Slovak right-wing militia.
Review

Apolena Rychlíková’s The Limits of Work (Hranice prace, 2017)

Vol. 80 (December 2017) by Zoe Aiano
A director and a journalist explore the domestic periphery of Capitalism in this Czech documentary.
Review

Wiktor Grodecki’s Not Angels But Angels (1994)

Vol. 79 (November 2017) by Alice Heneghan
Alice Heneghan revisits Wiktor Grodecki's 1994 feature about male prostitutes in Prague.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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