Réka Bucsi’s Intermission (2022)

Vol. 129 (November 2022) by Julia Skala
A short abstract exercise from Hungarian animation filmmaker Réka Bucsi.

Réka Bucsi on Intermission

Vol. 129 (November 2022) by Julia Skala
We met Hungarian filmmaker Réka Bucsi to discuss her latest short and changing perceptions of animation filmmaking.

Kornél Mundruczó’s Evolution (Evolúció, 2022)

Vol. 121 (January 2022) by Melina Tzamtzi
A story about the transformation of trauma and identity over the course of three generations.

Nadja Andrasev’s Symbiosis (2019)

Vol. 100 (December 2019) by Melina Tzamtzi
In this short animation, a betrayed woman begins developing curious ways of dealing with her findings.

Gyulai Panni’s Broken Things (2018) & Daria Kashcheeva’s Daughter (Dcera, 2019)

Vol. 100 (December 2019) by Melina Tzamtzi
Two recent animation shorts shown at this year's Primanima festival in Hungary delve into the scars left behind by family traumas.

László Nemes’ Sunset (Napszállta, 2018)

Vol. 89 (November 2018) by Isabel Jacobs
László Nemes’ follow-up to Son of Saul returns to the conflict-ridden pre-WWI period.

László Csuja’s Blossom Valley (Virágvölgy, 2018)

Vol. 89 (November 2018) by Jack Page
László Csuja tries genre constraints in his coming-of-age road movie.

S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.

Bernadett Tuza-Ritter’s A Woman Captured (2017)

Vol. 82 (February 2018) by Colette de Castro
This film portrays at once the immense fragility of a woman who has been enslaved for ten years by a Hungarian family, and her startling strength.

Nimród Antal’s The Whiskey Robber (A Viszkis 2017)

Vol. 81 (January 2018) by Anna Batori
This film about a post-Socialist folk hero is overwhelmed by the miscellaneous facets of its subject matter.
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