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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Roland Vranik’s The Citizen (Az állampolgár, 2016)

Vol. 80 (December 2017) by Anna Batori
This Hungarian feature tries to make debates about the refugee crisis emotionally accessible.
Review

György Kristóf’s Out (Vychladnutie, 2017)

Vol. 77 (September 2017) by Zoe Aiano
György Kristóf's debut gets tangled up in clicheed depictions of the Wild East.
Review

György Pálfi’s Free Fall (Szabadesés, 2014)

Vol. 74 (April 2017) by Anna Batori
In keeping with its author's handwriting, György Pálfi's film is a gory visit to adventureland.
Review

Ildikó Enyedi’s On Body and Soul (Testről és lélekről, 2017)

Vol. 72 (February 2017) by Zoe Aiano
Ildikó Enyedi’s On Body and Soul, winner of the Golden Bear, suffers from its stylistic eclecticism.
Review

Szabolcs Hajdu’s It’s Not the Time of My Life (Ernelláék Farkaséknál, 2016)

Vol. 70 (December 2016) by Anna Batori
Szabolcs Hajdu is back with a feature starring his family as cast and their apartment as setting.
Essay

Son of Saul within the History of Holocaust Representation

Vol. 69 (November 2016) by Pau Bosch Santos
Pau Bosch Santos places Son of Saul within the context of the representability debates.
Review

Klára Trencsényi’s Train to Adulthood (Reményvasút, 2015)

Vol. 67 (September 2016) by Zoe Aiano
Klára Trencsényi’s symbol-laden feature offers a biting critique of the modern social state.
Review

Attila Till’s Kills on Wheels (Tiszta Szívvel, 2016)

Vol. 67 (September 2016) by Patricia Bass
In spite of its lighthearted style, Attila Till's action-comedy stays true to its bold ambitions.
Review

László Nemes’ Son of Saul (Saul fia, 2015)

Vol. 66 (Summer 2016) by Jack Page
Nemes’ Son of Saul is a sobering portrayal of one man’s final search for atonement in the living nightmare of World War II.
Review

Gyula Nemes’ Zero (2015)

Vol. 56 (August 2015) by Colette de Castro
Colette de Castro reviews this controversial film about ecology.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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