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Marko Škop’s Let There Be Light (Nech je svetlo, 2019)

Masculinity hits back in rural Slovakia in Marko Škop’s highly unfunny feature.

A woman journalist interviews women on personal matters, thereby unveiling the patriarchal and oppressive fabric of society.

In this documentary commissioned by British television, Sally Potter dealt with the role of women in the Soviet film industry.

In this short animation, a betrayed woman begins developing curious ways of dealing with her findings.

Two recent animation shorts shown at this year's Primanima festival in Hungary delve into the scars left behind by family traumas.

This 2D animation reflects on the way that crowds become addicted to following the lives of significant others.

Lucija Mrzljak speaks about her latest film and shares her story of becoming an animation filmmaker.

Silva Khnkanosian's portrait of a post-war demining process manages to do without contextualization or stylistic gimmickry.

Can the wind account for the "thrilling" drama summoned by Michał Bielawski’s documentary?

Svetla Tsotsorkova hunts for clichees and prejudices about life on the periphery.