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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Maria Saakyan’s I’m Going to Change My Name (Alaverdi, 2013)

Vol. 97 (September 2019) by Antonis Lagarias
Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.
Review

Maria Saakyan’s The Lighthouse (Mayak, 2006)

Vol. 97 (September 2019) by Melina Tzamtzi
Melina Tzamtzi revisits the dreamlike poetry of Maria Saakyan's debut feature.
Review

Elmar Imanov’s End of Season (Ende der Saison, 2019)

Vol. 92 (February 2019) by Rohan Crickmar
Imanov’s screenplay (co-written with Anar Imanov) is a scathing rally against sentimentalism.
Review

Nariné Mkrtchyan and Arsen Azatyan’s About Him or How He Did Not Fear the Bear (Nra masin kam te inchpes na chvakhetsav arjits, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This Armenian feature about a recent massacre is weighed down by its lack of context.
Review

Misho Antadze’s The Harvest (Mosavali, 2019)

Vol. 91 (January 2019) by Rohan Crickmar
Misho Antadze portrays Georgia's easternmost region as a nexus between agriculture, modern technological infrastructure and natural wilderness.
Review

Ana Urushadze’s Scary Mother (Sashishi deda, 2017)

Vol. 91 (January 2019) by Daniil Lebedev
Ana Urushadze’s debut feature about a struggling writer defies prevalent cliches about the martyrdom of art.
Interview

Rati Oneli on City of the Sun

Vol. 72 (February 2017) by Zoe Aiano
Oneli speaks about the making of his film, his conceptual approach, and plans for the future.
Review

Nana Ekvtimishvili and Simon Gross’ My Happy Family (Chemi bednieri ojakhi, 2017)

Vol. 72 (February 2017) by Zoe Aiano
This Georgian feature tells the story of a family woman and her sudden urge to live an independent life.
Review

Rezo Gigineishvili’s Hostages (2017)

Vol. 72 (February 2017) by Carlos Kong
Rezo Gigineishvili reconstructs the tragic hijacking of a Soviet plane.
Review

Rati Oneli’s City of the Sun (Mzis qalaqi, 2017)

Vol. 72 (February 2017) by Moritz Pfeifer
Georgian documentarian Rati Oneli takes a spiritual look at the social and urban decay of a mining town.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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