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  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Klára Trencsényi’s Train to Adulthood (Reményvasút, 2015)

Vol. 67 (September 2016) by Zoe Aiano
Klára Trencsényi’s symbol-laden feature offers a biting critique of the modern social state.
Review

Radu Jude’s Scarred Hearts (Inimi cicatrizate, 2016)

Vol. 67 (September 2016) by Zoe Aiano
Radu Jude's innovative feature is based on the writings of Romanian author Max Blecher.
Review

Cristian Mungiu’s Graduation (Bacalaureat, 2016)

Vol. 67 (September 2016) by Zoe Aiano
In Mungiu's Graduation, a middle-aged doctor sees no future for his daughter in Romania.
Review

Ralitza Petrova’s Godless (Bezbog, 2016)

Vol. 67 (September 2016) by Zoe Aiano
Ralitza Petrova's bleak debut exploits the familiar, post-Socialist trope of corruption and despair.
Review

Salomé Jashi’s The Dazzling Light of Sunset (Daisis miziduloba, 2016)

Vol. 67 (September 2016) by John A. Riley
Salomé Jashi reflects on the role of local media from the perspective of a small community in rural Georgia.
Festival

Sarajevo 2016

Vol. 66 (Summer 2016) by Editors
Live coverage from the Sarajevo International Film Festival (August 12-20).
Review

Bogdan Mirică’s Dogs (Câini, 2016)

Vol. 66 (Summer 2016) by Zoe Aiano
Bogdan Mirică's debut feature is a meditation on some classical Western themes.
Review

Nikola Ljuca’s Humidity (Vlažnost, 2016)

Vol. 64 (April 2016) by Konstanty Kuzma
Nikola Ljuca unmasks the hypocrisy of Serbia’s elite in his compelling feature.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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