Warsaw 2016

Andrius Blaževičius’ The Saint (Šventasis, 2016)

In Andrius Blaževičius’ ironically titled film, a man fearing for his masculinity befriends the idea of being religious.

Live coverage of the 32nd Warsaw Film Festival (October 7-16).

In their latest film, the Sasnals adopt the perspective of an isolated misanthrope to tackle issues of racism and xenophobia.

Bartosz Kowalski's controversial debut features follows two school boys as they spread danger and despair.

Sofia Excarchou examines the aftermath of Greece's ongoing, economic crisis through a story revolving around children.

In Kadri Kõusaar’s feature, a village is shook by a mysterious murder.

Radu Jude's innovative feature is based on the writings of Romanian author Max Blecher.

Ralitza Petrova's bleak debut exploits the familiar, post-Socialist trope of corruption and despair.

Bogdan Mirică's debut feature is a meditation on some classical Western themes.