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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Maria Saakyan’s I’m Going to Change My Name (Alaverdi, 2013)

Vol. 97 (September 2019) by Antonis Lagarias
Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.
Review

Boris Missirkov and Georgi Bogdanov’s Palace for the People (2019)

Vol. 97 (September 2019) by Lucian Tion
Filmmaking duo Boris Missirkov and Georgi Bogdanov travel Eastern Europe to reflect on the lasting legacy of "people's palaces".
Review

Ksenia Okhapkina’s Immortal (Surematu, 2019)

Vol. 97 (September 2019) by Lucian Tion
This tendentious documentary settles old scores concerning Communism in Russia.
Review

Cătălin Mitulescu’s Heidi (2019)

Vol. 97 (September 2019) by Lucian Tion
Cătălin Mitulescu embraces the style and themes of the Romanian New Wave with this story about the ethics of police conduct.
Review

Laila Pakalniņa’s Spoon (Karote, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
Laila Pakalniņa constructs an experimental documentary around the serial production of plastic spoons.
Review

Yuriy Shylov’s Projectionist (Panorama, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A movie projectionist and his work-place compete for the center spot in this ambivalent documentary from Ukraine.
Review

Antonio Lukich’s My Thoughts Are Silent (Moi dumki tikhi, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A sound engineer, his mother, and a mysterious duck are the three protagonists of this image-driven road movie.
Review

Robert Budina’s A Shelter Among the Clouds (2018)

Vol. 96 (Summer 2019) by Colette de Castro
An Albanian director pines for (and over) religious reconciliation.
Review

Radu Dragomir’s Mo (2019)

Vol. 96 (Summer 2019) by Colette de Castro
Radu Dragomir applies the living legacy of the Romanian New Wave to themes of the present.
Review

Karel Šindelář’s Why So Sirius? (2018)

Vol. 96 (Summer 2019) by Alice Heneghan
In Karel Šindelář's short film, laughs and tears converge over a dead body.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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