• Perspectives
  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Nora Agapi’s Timebox (2018)

Vol. 95 (May 2019) by Isabel Jacobs
Two documentary filmmakers, father and daughter, enter a creative dialog about their collective past and the nature of cinema.
Review

Ismet Sijarina’s Cold November (Nëntor i ftohtë, 2018)

Vol. 95 (May 2019) by Isabel Jacobs
What was life like in Kosovo in the years leading up to Yugoslavia's violent disintegration?
Review

Paul Negoescu’s The Story of a Summer Lover (Povestea unui pierde-vară, 2018)

Vol. 95 (May 2019) by Jack Page
The Story of a Summer Lover seems to idealize Woody Allen’s sensibilities for nostalgia and unfortunately chauvinism.
Review

Nebojša Slijepčević’s Srbenka (2018)

Vol. 95 (May 2019) by Konstanty Kuzma
This documentary follows the staging of a Croatian theater play that reflects on the sad legacy of ethnic strife.
Review

Agnieszka Smoczyńska’s Fugue (Fuga, 2018)

Vol. 95 (May 2019) by Isabel Jacobs
Agnieszka Smoczyńska returns with a drama about a woman who lost her identity and the memories of her prior life.
Review

Andrei Kutsila’s Strip and War (2019)

Vol. 94 (April 2019) by Alice Heneghan
This documentary paints a double portrait of a young man and his grandfather and the divergent ways they put their uniforms to use.
Review

Aibeck Daiyrbekov’s The Song of the Tree (Darak yry, 2018)

Vol. 94 (April 2019) by Alice Heneghan
This historic film introduces musicals into Kyrgyz film culture.
Review

Alisa Pavlovskaya’s Gogol Doc (Gogol Dok, 2018)

Vol. 94 (April 2019) by Daniel Fuller
Gogol Doc blesses the audience with a fly-on-the-wall view into the genesis of a 2016 Ukrainian avant-garde festival.
Review

Filip Remunda’s The Okamura Brothers (Český žurnál: Bratři Okamurovi, 2019)

Vol. 94 (April 2019) by Anastasia Eleftheriou
This creative documentary portrays three brothers from Czechia's public sphere.
Review

Ondřej Šálek’s Good News (Dobré zprávy, 2019)

Vol. 94 (April 2019) by Anastasia Eleftheriou
In searching for the human face of a rightwing conspiracy theorist, this documentary risks contributing to the normalization of extremist views.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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