Perspectives

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Faton Bajraktari’s Home Sweet Home (2016)

This clever, Kosovar picture deconstructs the myth of the modern soldier.

Sector and Soft Power use choreography as a metaphor for cohesion and division respectively.

Film theorist and documentarian Andrea Slováková explores the matrix of industrial interdependencies.

Aljona Surzhikova explores the suppressed topic of Estonia's Russian-speaking minority.

In his most ambitious animation to-date, Dalibor Barić explores the limits of formal and narrative experimentation.

Szabolcs Hajdu is back with a feature starring his family as cast and their apartment as setting.

A Hungarian film infused with philosophical obsessions with decay and Ana Hušman’s latest work both dwell upon what is absented from vision.

Pau Bosch Santos places Son of Saul within the context of the representability debates.

In Andrius Blaževičius’ ironically titled film, a man fearing for his masculinity befriends the idea of being religious.

In their latest film, the Sasnals adopt the perspective of an isolated misanthrope to tackle issues of racism and xenophobia.