Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Jerzy Skolimowski’s 11 Minutes (11 minut, 2015)

Vol. 59 (November 2015) by Moritz Pfeifer
Jerzy Skolimowski's latest film is a multi-strand thriller which ends in rampage and confusion.

Food as Transnational Object in Balkan Cinema

Vol. 58 (October 2015) by Ana Grgić
Ana Grgić examines how food reflects debates about transnational identities in the Balkans.

The Rejection of the Family in Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007) and Călin Peter Netzer’s Child’s Pose (2013)

Vol. 58 (October 2015) by Julia Zelman
Julia Zelman compares the absence of food culture in two arthouse triumphs of the Romanian New Wave.

Andrey Konchalovsky’s The Postman’s White Nights (Belye nochi pochtalona Alekseya Tryapitsyna, 2014)

Vol. 57 (September 2015) by Colette de Castro
Colette de Castro reviews Andrei Konchalvosky's newest pic that earned him the Silver Lion at last year's Venice IFF.

Bakur Bakuradze’s Brother Deyan (Brat Deyan, 2015)

Vol. 57 (September 2015) by Moritz Pfeifer
Bakur Bakuradze's cinematic contribution to the human representation of war criminals is theoretically interesting but aesthetically flawed.

Gyula Nemes’ Zero (2015)

Vol. 56 (August 2015) by Colette de Castro
Colette de Castro reviews this controversial film about ecology.

Levan Koguashvili’s Street Days (Quchebis dgeebi, 2010)

Vol. 56 (August 2015) by Anna Batori
Anna Batori saw Levan Koguashvili’s Street Days, which revolves around a heroin addict's plight, and his quest for dignity.

Ilgar Safat’s The Precinct (Sahə, 2010)

Vol. 56 (August 2015) by Moritz Pfeifer
Moritz Pfeifer lauds the dream sequences in Ilgar Safat’s drama, though he ultimately criticizes the film for resorting to tried and tested neorealist techniques.

Nicolae Constantin Tănase’s The World Is Mine (Lumea e a mea, 2015)

Vol. 55 (July 2015) by Konstanty Kuzma
Konstanty Kuzma saw his friend Nicolae Constantin Tanase’s debut feature.

Corneliu Porumboiu’s The Treasure (Comoara, 2015)

Vol. 55 (July 2015) by Moritz Pfeifer
In Corneliu Porumboiu’s latest feature, three men go on an unlikely treasure hunt.
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