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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Bobo Jelčić’s A Stranger (Obrana i zaštita, 2013)

Vol. 26 (February 2013) by Colette de Castro
Colette de Castro analyzes the use of time in Bobo Jelčić's film.
Review

Zaza Rusadze’s A Fold in My Blanket (Chemi sabnis naketsi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
Zaza Rusadze’s debut feature oscillates between truth and phantasy, ultimately unable to stand on firm ground.
Review

Danis Tanović’s An Episode in the Life of an Iron Picker (Epizoda u životu berača željeza, 2013)

Vol. 26 (February 2013) by Colette de Castro
Danis Tanović’s new film tells the true story of Nasif and Senada who live in a small house in a poor Roma village.
Review

Calin Peter Netzer’s Child’s Pose (Pozitia copilului, 2013)

Vol. 26 (February 2013) by Colette de Castro
Colette de Castro saw the new film by Calin Peter Netzer.
Review

Nana Ekvtimishvili’s and Simon Groß’ In Bloom (Grzeli nateli dgeebi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
This problematic film nominally deals with Georgia’s past, and is stylistically heavily inspired by Cristian Mungiu.
Essay

Some Ideas on the Meaning of Béla Tarr’s Animals

Vol. 25 (January 2013) by Moritz Pfeifer
Why would animals make someone stop filming? Moritz Pfeifer talks about Béla Tarrs curious relationship with animals.
Review

Kasia Adamik’s The Offsiders (Boisko bezdomnych, 2008)

Vol. 24 (December 2012) by Colette de Castro
Polish helmer Kasia Adamik illustrates the life of homeless people on the territory of Poland’s former National Stadium.
Review

Emil Christov’s The Color of the Chameleon (Zincograph, 2012)

Vol. 24 (December 2012) by Anastasia Eleftheriou
In this spy film from 2012, a Bulgarian secret agent uses the system’s oppressive tactics against itself…
Review

Goran Paskaljević’s When Day Breaks (Kad svane dan, 2012)

Vol. 23 (November 2012) by Anastasia Eleftheriou
An old musician sets out to discover his identity after finding out that his Jewish parents were persecuted during World War II.
Review

Jan Hřebejk’s The Holy Quaternity (Svatá Ctverice, 2012)

Vol. 23 (November 2012) by Anastasia Eleftheriou
Jan Hřebejk’s new film examines the endeavors of two couples to spice up their sex lives.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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