• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Michale Boganim’s Land of Oblivion (2011)

Vol. 9 (September 2011) by Moritz Pfeifer
In her first feature film, Michale Boganim traces back the intertwined lives of the inhabitants of Prypjat, a Ukrainian town near Chernobyl.
Review

Angelina Nikonova’s Twilight Portrait (2011)

Vol. 9 (September 2011) by Moritz Pfeifer
In Angelina Nikonova’s feature, an upper-crust woman is crushed by Russian society. Will she take revenge or will she surrender?
Review

Aleksei German Jr.’s From Tokyo (Iz Tokio, 2011)

Vol. 9 (September 2011) by Moritz Pfeifer
In Aleksei German Jr.’s short, the after-math of the Fukushima nuclear disaster is explored on board of an airplane.
Review

Alexander Sokurov’s Faust (2011)

Vol. 9 (September 2011) by Moritz Pfeifer
Moritz Pfeifer gives a first impression of Alexander Sokurov’s latest film.
Review

Jacek Borcuch’s All That I Love (Wszystko, co kocham, 2009)

Vol. 7 (July 2011) by Colette de Castro
Jacek Borcuch's feature follows Janek, the member of a punk band, who tries to resist the obstacles of Socialist Poland in the '80s.
Review

Radu Jude’s The Happiest Girl in the World (Cea mai fericită fată din lume, 2009)

Vol. 7 (July 2011) by Ana Ribeiro
Radu Jude's first feature is a coming of age story about a girl whose life changes when she wins the main prize in an advertising campaign.
Essay

Cristi Puiu’s Aurora (2010)

Vol. 7 (July 2011) by Moritz Pfeifer
Cristi Puiu's Aurora illustrates 36 hours in the life of a killer.
Review

Constantin Popescu’s Principles of Life (Principii de viaţă , 2010)

Vol. 6 (June 2011) by Konstanty Kuzma
Constantin Popescu focuses on an anti-hero who tries to deal with his environment.
Review

Sergei Loznitsa’s My Joy (Schastye moe, 2010)

Vol. 6 (June 2011) by Moritz Pfeifer
Sergei Loznitsa’s My Joy is the story of a truck driver whose journey ends up in an abandoned village.
Review

Alexander Mindadze’s Innocent Saturday (V Subbotu , 2011)

Vol. 6 (June 2011) by Konstanty Kuzma
Alexander Mindadze’s feature is set in the night of the catastrophe in Chernobyl ’86.
Page 63 of 66« First...102030«62636465»...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT