• Perspectives
  • Retrospectives
  • Interviews
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Retrospectives
Reflections on stand-out films of the past.

Review

Tales from the Golden Age: Absurdity at the Dusk of Ceausescu’s Era

Vol. 12 (December 2011) by Ana Ribeiro
Ana Ribeiro analyzes different episodes from the collective piece Tales from the Golden Age.
Review

Walerian Borowczyk’s Les jeux des anges (1964)

Vol. 12 (December 2011) by Patricia Bass
Patricia Bass saw Walerian Borowczyk's experimental short from 1964.
Review

Radu Muntean’s Boogie (2008)

Vol. 12 (December 2011) by Konstanty Kuzma
Konstanty Kuzma compares Radu Muntean's Boogie to Arthur Schnitzler's Dream Story.
Essay

Chris Marker’s Détour Ceauşescu (1990)

Vol. 11 (November 2011) by Moritz Pfeifer
Détour Ceauşescu was Chris Marker's response to the televized execution of the Ceauşescus. What appears as a critique of the media could also be understood as an approval of them.
Essay

Lucian Pintilie’s The Reenactment (Reconstituirea, 1967)

Vol. 10 (October 2011) by Konstanty Kuzma
In his essay on Pintilie's The Reenactment, Konstanty Kuzma thinks about political and aesthetic fictions.
Essay

Cristian Mungiu’s Occident (2002)

Vol. 10 (October 2011) by Moritz Pfeifer
Moritz Pfeifer comments on Cristian Mungiu's debut and aspects of post-Soviet fear of "Westernization."
Review

Andrzej Wajda’s Man of Marble (Czlowiek z marmuru, 1976)

Vol. 10 (October 2011) by Stefania Marghitu
Stefania Marghitu takes a look at Andrej Wajda's famous Man of Marble.
Review

Uldis Brauns’ 235 000 000 (1967)

Vol. 10 (October 2011) by Mihai Fulger
Mihai Fulger discusses this documentary about the Soviet population of the 60s from the Rīga Film Studio.
Essay

Space Perception in Alexander Sokurov’s Mother and Son (Mat i syn, 1997)

Vol. 9 (September 2011) by Moritz Pfeifer
Moritz Pfeifer explores the dimensions of perspective in Sokurov's 1997 feature.
Essay

Notes on Alexandr Sokurov’s Moloch (Molokh, 1999) and Brecht’s Arturo Ui

Vol. 9 (September 2011) by Moritz Pfeifer
In Moloch, Sokurov creates a highly unconventional portray of Hitler, a new perspective on a dictator everybody seems to know.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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