• Perspectives
  • Retrospectives
  • Interviews
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Retrospectives
Reflections on stand-out films of the past.

Essay

The Films of Věra Chytilová

Vol. 88 (October 2018) by Jan Čulík
Jan Čulík recounts the career of Věra Chytilová from the prolific 1960s to her difficult standing in the "Normalization" period and after 1989.
Essay

Arendt and the Politics of the Everyday in Loves of a Blonde

Vol. 87 (September 2018) by Reidar Due
Reidar Due challenges our common sense beliefs about Eastern Europe through an analysis of Forman's Loves of a Blonde.
Review

Alain Robbe-Grillet’s The Man Who Lies (L’homme qui ment, 1968)

Vol. 84 (April 2018) by Carlos Kong
Carlos Kong revisits the histories of deception depicted in this Prague Spring-themed feature.
Review

Jan Němec’s Oratorio for Prague (Oratorium pro Prahu, 1968)

Vol. 84 (April 2018) by Daniil Lebedev
Daniil Lebedev recounts the feeling of shock attending the filming and unfolding of the Prague Spring.
Essay

Maciej Drygas’ Hear My Cry (Usłyszcie mój krzyk!, 1991)

Vol. 84 (April 2018) by Moritz Pfeifer
Moritz Pfeifer locates Maciej Drygas' documentary on the self-immolation of Ryszard Siwiec at the beginning of what can be called the canonization of secret heroes, the rediscovery of political martyrs to construct identity-building historical narratives.
Review

Jan Hřebejk’s Cosy Dens (Pelíšky, 1999)

Vol. 84 (April 2018) by Colette de Castro
This late 1990s film recounts the normality of everyday life leading up to the Prague Spring.
Review

Wiktor Grodecki’s Not Angels But Angels (1994)

Vol. 79 (November 2017) by Alice Heneghan
Alice Heneghan revisits Wiktor Grodecki's 1994 feature about male prostitutes in Prague.
Review

Metodi Andonov’s The Goat Horn (Koziyat rog, 1972)

Vol. 78 (October 2017) by Yoana Pavlova
What does this Bulgarian classic have to offer beyond its shock aesthetics?
Essay

Gustav Machatý’s Erotikon (1929) and Ecstasy (Ekstase, 1933)

Vol. 78 (October 2017) by Colette de Castro
These two films by Gustav Machatý try to capture the uncapturable - the female orgasm.
Essay

Věra Chytilová’s Fruit of Paradise (Ovoce stromu rajských jíme, 1970)

Vol. 78 (October 2017) by Zoe Aiano
Who's afraid of female sexuality, Věra Chytilová asks in her 1970 film.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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