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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Michale Boganim’s Land of Oblivion (La terre outragée, 2011)

Vol. 65 (May 2016) by Ana Ribeiro
Ana Riberio analyzes the transnational aspects of Michale Boganim's Land of Oblivion.
Essay

How a Ukrainian Computer Game Transfigured Folkloric Processes of Remembering

Vol. 65 (May 2016) by Daniel Fuller
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
Essay

Popular U.S. American Cinematographic Depictions of Chernobyl

Vol. 65 (May 2016) by Tetiana Ostapchuk
Ukrainian scholar Tetiana Ostapchuk locates negative national stereotypes in popular US-American productions about Chernobyl.
Essay

Bobo Jelčić’s A Stranger (2013) & Ognjen Glavonić’s Depth Two (2016)

Vol. 64 (April 2016) by Moritz Pfeifer
Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.
Essay

Karolina Bielawska’s Call me Marianna (2015), Oleg Mavromati’s No Place for Fools (2015), Alina Rudnistkaya’s Victory Day (2015)

Vol. 64 (April 2016) by Susanne Kappesser
Susanne Kappesser looks at these three films that deal with gender and heteronormativity.
Essay

Mira Fornay’s My Dog Killer (Môj pes Killer, 2015) & Radu Jude’s Aferim! (2015)

Vol. 64 (April 2016) by Colette de Castro
Colette de Castro discusses discrimination against Roma children through an analysis of My Dog Killer and Aferim!.
Essay

Adaptation and Other Demons

Vol. 60 (December 2015) by Aka Morchiladze
Georgian writer, historian and screenwriter Aka Morchiladze examines the phenomenon of literary adaptations in the Soviet Union, and in Georgia in particular.
Essay

Food as Transnational Object in Balkan Cinema

Vol. 58 (October 2015) by Ana Grgić
Ana Grgić examines how food reflects debates about transnational identities in the Balkans.
Essay

The Rejection of the Family in Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007) and Călin Peter Netzer’s Child’s Pose (2013)

Vol. 58 (October 2015) by Julia Zelman
Julia Zelman compares the absence of food culture in two arthouse triumphs of the Romanian New Wave.
Essay

Symbol and Tradition in Parajanov’s Caucasian Trilogy

Vol. 58 (October 2015) by Moritz Pfeifer
Moritz Pfeifer discusses the symbolic tradition of the pomegranate in the Caucasus and in Parajanov's films.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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