Konstanty Kuzma burrows into the hidden and critical messages of Eldar Shengelaia's masterful comedy.
Emilia Sieczka and Radoslaw Szymanski analyze the political meaning of Pawlikowski's main characters, using hermeneutic methodology to reflect on questions of moral autonomy.
Maxence Voiseux looks at three of Kieślowski's documentaries, asking what motivated the director to make fiction films.
Julia Zelman discusses two of Irena Kamieńska's documentaries, revealing a tension between the centralized state and the basic needs of the people.
Konstanty Kuzma discusses whether this Polish classic can be seen as a work of Enlightenment, whether it counts as surrealist and what these two opposing mindsets have in common.
Pau Bosch Santos analyzes how Wojciech Jerzy Has portrays aspects of addiction in their relation to time.
Pau Bosch Santos places some of Polish director Wojciech Has' artistic approaches in a biographical context.