Cristi Puiu’s Aurora (2010)

Vol. 7 (July 2011) by Moritz Pfeifer
Cristi Puiu's Aurora illustrates 36 hours in the life of a killer.

Lucian Pintilie’s The Oak (Balanţa, 1992)

Vol. 6 (June 2011) by Moritz Pfeifer
In Lucian Pintilie's The Oak, a couple goes on a subversive joruney. Is this revolutionary attitude convincing?

Cristi Puiu’s The Death of Mr. Lăzărescu (2005) and Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007)

Vol. 6 (June 2011) by Moritz Pfeifer
Moritz Pfeifer examines the way in which death is excluded from society in both The Death of Mr. Lăzărescu and 4 Months, 3 Weeks and 2 Days.

Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Konstanty Kuzma
Konstanty Kuzma examines the nature of potency in Polanski’s film.

Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Moritz Pfeifer
Moritz Pfeifer reflects upon the different meanings attributed to the knife in Polanski’s piece.

František Vláčil’s Marketa Lazarová (1967)

Vol. 3 (March 2011) by Moritz Pfeifer
In his essay, Moritz Pfeifer reflects on the beauty of violence.

Dan Piţa’s Sand Cliffs (Faleze de Nisip, 1983)

Vol. 1 (January 2011) by Moritz Pfeifer
Dan Piţa's 1983 movie tells the disconcerting story of a false accusation of theft.
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