On Mona Vatamanu and Florin Tudor

Vol. 11 (November 2011) by Moritz Pfeifer
Moritz Pfeifer thinks about problems in conceptual art by looking at the work of Mona Vatamanu and Florin Tudor.

Lucian Pintilie’s The Reenactment (Reconstituirea, 1967)

Vol. 10 (October 2011) by Konstanty Kuzma
In his essay on Pintilie's The Reenactment, Konstanty Kuzma thinks about political and aesthetic fictions.

Cristian Mungiu’s Occident (2002)

Vol. 10 (October 2011) by Moritz Pfeifer
Moritz Pfeifer comments on Cristian Mungiu's debut and aspects of post-Soviet fear of "Westernization."

Space Perception in Alexander Sokurov’s Mother and Son (Mat i syn, 1997)

Vol. 9 (September 2011) by Moritz Pfeifer
Moritz Pfeifer explores the dimensions of perspective in Sokurov's 1997 feature.

Notes on Alexandr Sokurov’s Moloch (Molokh, 1999) and Brecht’s Arturo Ui

Vol. 9 (September 2011) by Moritz Pfeifer
In Moloch, Sokurov creates a highly unconventional portray of Hitler, a new perspective on a dictator everybody seems to know.

Romanian Cinema of the 90’s and of Today

Vol. 8 (August 2011) by Moritz Pfeifer
This essay focuses on humor in the Romanian cinema of the 90's and of today.

Cristi Puiu’s Aurora (2010)

Vol. 7 (July 2011) by Moritz Pfeifer
Cristi Puiu's Aurora illustrates 36 hours in the life of a killer.

Lucian Pintilie’s The Oak (Balanţa, 1992)

Vol. 6 (June 2011) by Moritz Pfeifer
In Lucian Pintilie's The Oak, a couple goes on a subversive joruney. Is this revolutionary attitude convincing?

Cristi Puiu’s The Death of Mr. Lăzărescu (2005) and Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007)

Vol. 6 (June 2011) by Moritz Pfeifer
Moritz Pfeifer examines the way in which death is excluded from society in both The Death of Mr. Lăzărescu and 4 Months, 3 Weeks and 2 Days.

Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Konstanty Kuzma
Konstanty Kuzma examines the nature of potency in Polanski’s film.
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