Yugoslav Mass Housing Strikes Back

Vol. 137 (September 2023) by Lea Horvat
Moving beyond cliched depictions of mass housing in the (post-)Yugoslav space.

Women Amateur Films from Yugoslavia

Vol. 136 (Summer 2023) by Anna Doyle
Anna Doyle reflects on the marginalization of women filmmakers in the alternative cine-club culture of Yugoslavia.

Ivan Martinac’s Monolog on Split (Monolog o Splitu, 1961) & Lordan Zafranović’s People (Passing) II (Ljudi (u prolazu) II, 1967)

Vol. 136 (Summer 2023) by Frédéric Tachou
Experimental filmmaker Frédéric Tachou revisits two works from the Kino Klub Split through the prism of space.

Teona Strugar Mitevska’s The Happiest Man in the World (Najsreќniot Čovek na Svetot, 2022)

Vol. 135 (May 2023) by Ana Grgić and Antonis Lagarias
What is the role of justice and forgiveness in the process of overcoming collective trauma?

Vitaly Mansky and Yevhen Titarenko’s Eastern Front (Shidniy front, 2023)

Vol. 135 (May 2023) by Tajana Kosor
Tajana Kosor reflects on the privileged position from which one can forget about and be shocked by war.

Alexander Mihalkovich and Hanna Badziaka’s Motherland (2023)

Vol. 134 (April 2023) by Antonis Lagarias
The roots of military conscription in Belarus (and beyond).

Alexander Sokurov’s Fairytale (Skazka, 2022)

Vol. 133 (March 2023) by Antonis Lagarias
Four protagonists of WWII convene at the gate to heaven.

Danilo Kiš’s Bare Life (Goli život, 1990) in Retrospect

Vol. 132 (February 2023) by McKenna Marko
McKenna Marko revisits an all but forgotten document of Yugoslav history.

Slobodan Šijan’s Experimental Films

Vol. 131 (January 2023) by Anna Doyle
Anna Doyle reviews Slobodan Šijan’s experimental films from the 1970s.

Tonislav Hristov’s The Good Driver (2022)

Vol. 130 (December 2022) by Ana Grgić and Antonis Lagarias
The limits and pitfalls of mobility on the European continent.
Page 3 of 20« First...23451020...Last »