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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Urban Planning as a Shifting Symbol in Soviet and post-Soviet cinema

Vol. 113 (March 2021) by Anna Guboglo
How concrete buildings have been deployed as symbols in Soviet and post-Soviet cinema.
Essay

Representation and Meaning of the Dacha in Contemporary Russian films

Vol. 113 (March 2021) by Maxim Plokhikh
This essay looks at two films that exemplify how the dacha is perceived in post-Soviet Russia.
Essay

Lucian Pintilie’s Niki and Flo (Niki Ardelean, colonel în rezervă, 2003)

Vol. 112 (February 2021) by Lucian Tion
Lucian Tion examines how the failure of Niki and Flo prefigures the successes of the Romanian New Wave.
Essay

The role of montage in Radu Jude’s The Exit of the Trains (Ieşirea trenurilor din gară, 2020)

Vol. 112 (February 2021) by Anastasia Eleftheriou
This film examines and questions how we can document and remember the atrocities of the Iași pogroms.
Essay

Grigorii Aleksandrov’s Jolly Fellows (Vesëlye rebiata, 1934) and the Structural Principles of Film Musicals

Vol. 110 (December 2020) by Ira Österberg
Ira Österberg contrasts this early Soviet musical with Hollywood peculiarities of the genre.
Essay

Tarkovsky’s Musical Aesthetic in the Context of the Sonic Arts

Vol. 110 (December 2020) by Florian Hollerweger
Florian Hollerweger places Tarkovsky's scores within the 20th century tradition of musicalizing everyday sounds.
Essay

A Search for Cultural Identity in Contemporary Musical Films from Russia

Vol. 110 (December 2020) by Alexey Izmalkov
Alexey Izmalkov identifies various compromises in Russian cinema's musical quest for identity.
Essay

Soviet Politics and the Musicals of Tajikistan

Vol. 110 (December 2020) by Sharofat Arabova
A history of Soviet Tajik musicals as presented by Sharofat Arabova.
Essay

Eduard Artemyev’s Compositional Strategies

Vol. 110 (December 2020) by Pantelis Lykoudis
Pantelis Lykoudis analyzes Eduard Artemyev's compositional approach through the lens of his collaboration with Tarkovsky.
Essay

Zhora Kryzhovnikov’s Best Day Ever (Samyy luchshiy den, 2015)

Vol. 110 (December 2020) by Rachel Stauffer
Rachel Stauffer brings out the reconciliatory pretensions of Kryzhovnikov's blockbuster.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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