Men Lereida’s Viktoria: A Tale of Grace and Greed (2014)

Vol. 52 (April 2015) by Moritz Pfeifer
Swiss helmer Men Lereida explores how the Switzerland's adherence to the Schengen and Dublin agreements changed Zurich's red-light district.

Nana Dzhordzhadze’s My mermaid, My Lorelei (Moya rusalka, moya Lorelyay, 2005)

Vol. 52 (April 2015) by Colette de Castro
Colette de Castro reviews Georgian director Nana Dzhordzhadze's newest pic about teenage love.

Maciej Bochniak’s Disco Polo (2015)

Vol. 52 (April 2015) by Paulina Duda
Paulina Duda criticizes this Polish comedy for copying US-American humor and aesthetics.

Kote Mikaberidze’s My Grandmother (Chemi Bebia, 1929)

Vol. 51 (March 2015) by Julia Zelman
Kote Mikaberidze's 1929 powerful Soviet satire is revisited by Julia Zelman.

Tudor Giurgiu’s Why Me? (De ce eu?, 2015)

Vol. 50 (February 2015) by Konstanty Kuzma
Tudor Giurgiu’s latest feature follows the rise and demise of a Romanian state prosecutor fighting the system.

Jan Komasa’s Warsaw ’44 (Miasto ’44, 2014) and Warsaw Uprising (Powstanie Warszawskie, 2014)

Vol. 50 (February 2015) by Colette de Castro
Colette de Castro faults Jan Komasa's newest historical pic for deliberately falsifying history and poorly imitating Hollywood blockbusters.

Aleksei German Jr.’s Under Electric Clouds (Pod electricheskimi oblakami, 2015)

Vol. 50 (February 2015) by Konstanty Kuzma
Alexei German Jr.’s latest feature is a beautiful but convoluted portrait of Russia.

Rodion Ismailov’s My Kith and Kin (Doğma ocaq, 2012)

Vol. 50 (February 2015) by Moritz Pfeifer
Moritz Pfeifer reviews this documentary about a young Russian girl who visits her father's family in Azerbaijan for the first time.

Ivan Ostrochovský’s Koza (2015)

Vol. 50 (February 2015) by Konstanty Kuzma
An ex-boxer steps into the ring again to pay for his wife’s abortion.

Eileen Hofer’s He Was a Giant with Brown Eyes (2012)

Vol. 50 (February 2015) by Moritz Pfeifer
Swiss helmer Eileen Hofer's first feature film is a docu-fiction about a Swiss teenager looking for her Azerbaijani origins.
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