Paweł Sala’s Mother Teresa of Cats (Matka Teresa od kotów, 2010)

Vol. 2 (February 2011) by Colette de Castro
Paweł Sala reconstructs a matricide that happened in Poland during the nineties.

Lech Majewski’s The Mill and the Cross (2010)

Vol. 2 (February 2011) by Moritz Pfeifer
Lech Majewski's The Mill and the Cross is a cinematic version of the famous Brueghel painting.

Waldemar Krzystek’s Little Moscow (Mała Moskwa, 2008)

Vol. 2 (February 2011) by Konstanty Kuzma
Waldemar Krzystek’s Little Moscow recounts the romance between the wife of a Russian officer and a Polish soldier.

Adrian Sitaru’s The Cage (Colivia, 2010) & Paul Negoescu’s Derby (2010)

Vol. 2 (February 2011) by Konstanty Kuzma
In their short films, Adrian Sitaru and Paul Negoescu depict a world of fading authorities.

Radu Muntean’s The Paper Will Be Blue (Hirtia va fi albastra, 2006)

Vol. 1 (January 2011) by Moritz Pfeifer
Radu Muntean's film follows a military unit in Bucharest on the night of the Romanian Revolution of 1989.

Giorgi Shengelaia’s Pirosmani (1969)

Vol. 1 (January 2011) by Konstanty Kuzma
Giorgi Shengelaia retells the tragic biography of Georgian painter Nikoloz Pirosmani.

Jasmila Žbanić’s On the Path (Na Putu, 2010)

Vol. 1 (January 2011) by Moritz Pfeifer
Jasmila Žbanić's second feature film depicts the break-up of a young couple.

Marcin Wrona’s My Flesh, My Blood (Moja krew, 2009)

Vol. 1 (January 2011) by Moritz Pfeifer
Marcin Wrona's film revolves around the relationship between a dying boxer and a young Vietnamese immigrant.

Radu Muntean’s Tuesday after Christmas (Marti, dupa craciun, 2010)

Vol. 1 (January 2011) by Konstanty Kuzma
Radu Muntean's aestheticized film reflects on change at Christmas time.
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