Review

Sonja Prosenc’s The Tree (Drevo, 2014)

A family is forced to stay in their house under mysterious circumstances.

The courageous debut by Signe Baumane uses the example of her family to question her own sanity.

Imagine is about a blind man who arrives at a clinic in a Lisbon monastery to teach some slightly hostile children...

The 2013 documentary on Ilya and Emilia Kabakov’s work shows a struggle with questions of national, generational, and even ideological belonging.

Rok Biček’s first feature is a fascinating psychodrama which concentrates on the metaphysics of blame.

In her documentary, Ania Szczepanska meets the directors of Polish cinema’s golden age.

A director and his actor travel to an island to work on the script for their next project.

Maya Vitkova’s film revolves around a mother, and her unloved daughter.

Julia Zelman saw this Polish classic in the light of the relationship of its two male protagonists.

Krzysztof Zanussi’s 2005 film revolves around a diplomat who stubbornly holds on to his outdated ethical code.