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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Andrzej Wajda’s Walesa, Man of Hope (Wałęsa. Człowiek z nadziei, 2013)

Vol. 35 (November 2013) by Ana Ribeiro
Andrzej Wajda’s latest film screened at this year's Rio de Janeiro IFF, where feelings about this work by the “master of historical film” were mixed.
Review

Mila Turajlić’s Cinema Komunisto (2011)

Vol. 35 (November 2013) by Moritz Pfeifer
Director Mila Turajlić revisits the dark and glorious historical moments of Yougoslavia’s first film studio.
Review

Katarzyna Roslaniec’s Baby Blues (2012)

Vol. 35 (November 2013) by Ana Ribeiro
The second feature by Polish filmmaker Katarzyna Roslaniec portrays adolescent life in capitalist Eastern Europe.
Review

Şerban Oliver Tătaru’s Anatomy of a Departure (Anatomie des Weggehens, 2012)

Vol. 35 (November 2013) by Konstanty Kuzma
Romanian filmmaker Şerban Oliver Tătaru rethinks his family's move to Germany during his teenage years.
Review

Nimród Antal’s Kontroll (2003)

Vol. 34 (October 2013) by Konstanty Kuzma
Konstanty Kuzma retraces Nimród Antal’s career from ambitious beginnings to a conventional Hollywood career.
Review

Andrzej Munk’s Bad Luck (Zezowate szczęście, 1960)

Vol. 34 (October 2013) by Julia Zelman
Julia Zelman looks at this film's main character, comparing him to other heroes of the time.
Review

Rusudan Chkonia’s Keep Smiling (Gaigimet, 2012)

Vol. 34 (October 2013) by Colette de Castro
Rusudan Chkonia’s film revolves around a contest which claims to be seeking the "perfect mother".
Review

János Szász’s Opium: Diary of a Madwoman (Ópium: Egy elmebeteg nö naplója, 2007)

Vol. 33 (September 2013) by Patricia Bass
Patricia Bass addresses director János Szász's unimaginative obsession with shock and wickedness.
Review

Ildikó Enyedi’s My Twentieth Century (Az én XX. századom, 1989)

Vol. 33 (September 2013) by Konstanty Kuzma
In this Hungarian film by Ildikó Enyedi, Dorothy Segda takes on the roles of two sisters whose dissimilar lifestyles illustrate modernity's polarity.
Review

Benedek Fliegauf’s Womb (2010)

Vol. 32 (August 2013) by Konstanty Kuzma
Konstanty Kuzma saw Benedek Fliegauf’s English-language debut.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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