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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Zaza Rusadze’s A Fold in My Blanket (Chemi sabnis naketsi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
Zaza Rusadze’s debut feature oscillates between truth and phantasy, ultimately unable to stand on firm ground.
Review

Danis Tanović’s An Episode in the Life of an Iron Picker (Epizoda u životu berača željeza, 2013)

Vol. 26 (February 2013) by Colette de Castro
Danis Tanović’s new film tells the true story of Nasif and Senada who live in a small house in a poor Roma village.
Review

Calin Peter Netzer’s Child’s Pose (Pozitia copilului, 2013)

Vol. 26 (February 2013) by Colette de Castro
Colette de Castro saw the new film by Calin Peter Netzer.
Review

Nana Ekvtimishvili’s and Simon Groß’ In Bloom (Grzeli nateli dgeebi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
This problematic film nominally deals with Georgia’s past, and is stylistically heavily inspired by Cristian Mungiu.
Review

Enyedi Ildiko’s Simon, the Magician (Simon mágus, 1999)

Vol. 25 (January 2013) by Julia Zelman
In this surrealist film from Hungarian director Ildikó Enyedi, the French police seeks help from a Budapest sorcerer.
Review

Béla Tarr’s Prologue (2004)

Vol. 25 (January 2013) by Anastasia Eleftheriou
This segment from Hungarian director Béla Tarr was part of the cooperative Visions of Europe project (2004).
Review

André de Toth’s Crime Wave (1954)

Vol. 25 (January 2013) by Patricia Bass
Patricia Bass saw this film noir from Hungarian director André De Toth.
Review

Ion Popescu-Gopo’s A Bomb Was Stolen (S-a furat o bombă, 1961)

Vol. 24 (December 2012) by Konstanty Kuzma
Romanian spy film from 1961, two criminal gangs try to get hold of a nuclear bomb.
Review

Ognjen Sviličić’s Sorry for the Kung Fu (Oprosti za kung fu, 2004)

Vol. 24 (December 2012) by Moritz Pfeifer
This film revolves around Mira, a young woman who returns home pregnant to Croatia after the war.
Review

Kasia Adamik’s The Offsiders (Boisko bezdomnych, 2008)

Vol. 24 (December 2012) by Colette de Castro
Polish helmer Kasia Adamik illustrates the life of homeless people on the territory of Poland’s former National Stadium.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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