Editorial

Vol. 33 (September 2013) by Editors

Jan Kačer on his Career

Vol. 33 (September 2013) by Konstanty Kuzma
Czech New Wave actor Jan Kačer speaks about his career, the political climate in the 1960s, and his collaboration with Evald Schorm.

Evald Schorm’s The Seventh Day, the Eighth Night (Den sedmý, osmá noc, 1969)

Vol. 33 (September 2013) by Konstanty Kuzma
Konstanty Kuzma argues that Evald Schorm's 1969 film fails to refer to its allegorical target, the Prague Spring.

János Szász’s Opium: Diary of a Madwoman (Ópium: Egy elmebeteg nö naplója, 2007)

Vol. 33 (September 2013) by Patricia Bass
Patricia Bass addresses director János Szász's unimaginative obsession with shock and wickedness.

Ildikó Enyedi’s My Twentieth Century (Az én XX. századom, 1989)

Vol. 33 (September 2013) by Konstanty Kuzma
In this Hungarian film by Ildikó Enyedi, Dorothy Segda takes on the roles of two sisters whose dissimilar lifestyles illustrate modernity's polarity.