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Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
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  • ARCHIVE
Editorial

Editorial

Vol. 40 (April 2014) by Editors
Interview

Andrei Gruzsniczki on Quod Erat Demonstrandum

Vol. 40 (April 2014) by Julia Zelman
Julia Zelman met Andrei Gruzsniczki in New York City, where he presented his new film at the Lincoln Center.
Interview

Malgosha Gago on Les Ombres de Casablanca

Vol. 40 (April 2014) by Moritz Pfeifer
Moritz Pfeifer met Malgosha Gago in Paris, where her film was screened at the Polish Library in Paris.
Review

Andrei Gruzsniczki’s Quod Erat Demonstrandum (2014)

Vol. 40 (April 2014) by Julia Zelman
Ducu Buciuman, the in some ways central character in Andrei Gruzsniczki's Quod Erat Demonstrandum, never appears onscreen...
Review

Serge Avedikian and Olena Fetisova’s Paradjanov (2013)

Vol. 40 (April 2014) by Konstanty Kuzma
Serge Avedikian and Olena Fetisova accompany Sergei Paradjanov from his early career in Ukraine to the later stages of his life, which he spent in Georgia and Armenia.
Review

Vinko Brešan’s The Priest’s Children (Svećenikova djeca, 2013)

Vol. 40 (April 2014) by Julia Zelman
Vinko Brešan’s film starts as ludic and ends as lugubrious. Fabijan, a young priest, eagerly seeks to find his place in an idyllic Croatian island town...
Review

Malgosha Gago and Boleslaw Sulik’s Les Ombres de Casablanca (2010)

Vol. 40 (April 2014) by Moritz Pfeifer
Polish directors Malgosha Gago and Boleslaw Sulik made a documentary about a Polish spy who worked for British and US intelligence during WWII.
Essay

Jerzy Kawalerowicz’s Night Train (Pociag, 1959)

Vol. 40 (April 2014) by A. G. Khandros
Aaron Khandros analyzes Night Train with regards to the new normative order of post-War Poland, relating it to unsolved episodes and traumas of Poland's recent past...
Review

Juraj Lehotský’s Miracle (Zázrak, 2013)

Vol. 40 (April 2014) by Julia Zelman
This filmic panoply of horror reveals Juraj Lehotský's ambition to make cinema a means to plunge into Slovakia’s imagined depths of misery and keep breathing.
Review

Maria Saakyan’s I’m Going to Change My Name (Alaverdi, 2013)

Vol. 40 (April 2014) by Moritz Pfeifer
Armenian director Maria Saakyan's second feature film is a poetic coming-of-age story.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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