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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 25 (January 2013) by Editors
Review

Enyedi Ildiko’s Simon, the Magician (Simon mágus, 1999)

Vol. 25 (January 2013) by Julia Zelman
In this surrealist film from Hungarian director Ildikó Enyedi, the French police seeks help from a Budapest sorcerer.
Review

Béla Tarr’s Prologue (2004)

Vol. 25 (January 2013) by Anastasia Eleftheriou
This segment from Hungarian director Béla Tarr was part of the cooperative Visions of Europe project (2004).
Essay

Karoly Makk’s Love (Szerelem, 1971)

Vol. 25 (January 2013) by Konstanty Kuzma
Konstanty Kuzma compares Karoly Makk's 1971 film with Michael Haneke's Amour and Ulrich Seidl's Paradise: Love.
Review

André de Toth’s Crime Wave (1954)

Vol. 25 (January 2013) by Patricia Bass
Patricia Bass saw this film noir from Hungarian director André De Toth.
Essay

Some Ideas on the Meaning of Béla Tarr’s Animals

Vol. 25 (January 2013) by Moritz Pfeifer
Why would animals make someone stop filming? Moritz Pfeifer talks about Béla Tarrs curious relationship with animals.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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