Editorial

Vol. 43 (July 2014) by Editors

Karlovy Vary 2014

Vol. 43 (July 2014) by Editors
Live coverage from the 49th Karlovy Vary International Film Festival (July 4-12).

Signe Baumane on Rocks in My Pockets

Vol. 43 (July 2014) by Colette de Castro

Masterclass by István Szabó

Vol. 43 (July 2014) by Moritz Pfeifer
Szabó gives insightful lessons on how to film history, on how to adapt a novel to the screen, and talks about his relationship with his home country, Hungary...

Sonja Prosenc’s The Tree (Drevo, 2014)

Vol. 43 (July 2014) by Colette de Castro
A family is forced to stay in their house under mysterious circumstances.

Signe Baumane’s Rocks in My Pockets (2014)

Vol. 43 (July 2014) by Colette de Castro
The courageous debut by Signe Baumane uses the example of her family to question her own sanity.

István Szabó’s Mephisto (1981)

Vol. 43 (July 2014) by Moritz Pfeifer
Moritz Pfeifer compares the plot of István Szabó's Mephisto (1981) to the controversy surrounding Kathryn Bigalow's Zero Dark Thirty (2012).

Andrzej Jakimowski’s Imagine (2013)

Vol. 43 (July 2014) by Julia Zelman
Imagine is about a blind man who arrives at a clinic in a Lisbon monastery to teach some slightly hostile children...

Amei Wallach’s Ilya and Emilia Kabakov: Enter Here (2013)

Vol. 43 (July 2014) by Patricia Bass
The 2013 documentary on Ilya and Emilia Kabakov’s work shows a struggle with questions of national, generational, and even ideological belonging.

Jan Kidawa-Błoński’s In Hiding (W ukryciu, 2013) & Jerzy Skolimowski’s Four Nights with Anna (Cztery noce z Anna, 2008)

Vol. 43 (July 2014) by Konstanty Kuzma
Konstanty Kurma's comparison of two recent Polish films makes him wonder why freedom and democracy made Polish cinema more dogmatic than it previously was.
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