Matuszyński’s debut feature paints unfamiliar fantasies in Poland's years of westernization.
Oddly chic for its subject matter, Danis Tanović’s Levi-inspired competition entry is a failed attempt at political filmmaking.
We met with Kosovan director Ivan Qosja and his son Donat, who plays the main character in his father’s new film.
This Kosovan film about the discrimination against rape victims is courageous, yet ambiguous in its final message.
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