Oddly chic for its subject matter, Danis Tanović’s Levi-inspired competition entry is a failed attempt at political filmmaking.
We met with Kosovan director Ivan Qosja and his son Donat, who plays the main character in his father’s new film.
This Kosovan film about the discrimination against rape victims is courageous, yet ambiguous in its final message.
Anastasia Eleftheriou praises this film’s astute views on authoritarian education but takes issue with the film’s ending.
In her review of The Tribe, Anastasia Eleftheriou pays special attention to the film's choreographic aspects.
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