Documentary filmmaker Ondřej Šálek spoke to us about his 35-minute portrait of a right-wing conspiracy theorist.
This Armenian feature about a recent massacre is weighed down by its lack of context.
This loose adaptation of Kafka's eponymous short story is a playful, and often provocative exercise in cinematic genres.
In Ena Sendijarević's debut, we watch a young girl of Bosnian origin explore her identity and sexuality.
Matuszyński’s debut feature paints unfamiliar fantasies in Poland's years of westernization.
Documentary filmmaker Vitaly Mansky discusses his North Korean-set film Under the Sun, which offers fascinating views of the country behind its widely documented facade.
Adrian Sitaru joins the Berlinale Forum with a powerful addition to Romania's long list of meta-films.
Oddly chic for its subject matter, Danis Tanović’s Levi-inspired competition entry is a failed attempt at political filmmaking.
Žilnik speaks about the Yugoslav Black Wave, his film “Fortress Europe”, and discrepancies between Yugoslav reality and contemporary Serbia.
We met with Kosovan director Ivan Qosja and his son Donat, who plays the main character in his father’s new film.
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