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  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Petr Václav’s Skokan (2017)

Vol. 77 (September 2017) by Colette de Castro
Petr Václav pulls his favorite actor out of jail and into a story of anarchy and adventure.
Review

Ivan Tverdovsky’s Zoology (Zoologiya, 2016)

Vol. 67 (September 2016) by Colette de Castro
A middle-aged zoo worker reinvents herself after starting to grow a tail in this unconvential feature by Ivan Tverdovsky.
Review

Cristian Mungiu’s Graduation (Bacalaureat, 2016)

Vol. 67 (September 2016) by Colette de Castro
Colette de Castro reviews Cristian Mungiu's latest film.
Essay

Mira Fornay’s My Dog Killer (Môj pes Killer, 2015) & Radu Jude’s Aferim! (2015)

Vol. 64 (April 2016) by Colette de Castro
Colette de Castro discusses discrimination against Roma children through an analysis of My Dog Killer and Aferim!.
Review

Ognjen Glavonić’s Depth Two (Dubina dva, 2016)

Vol. 62 (February 2016) by Colette de Castro
This investigative documentary by young Serbian filmmaker Ognjen Glavonić is a powerful reflection on the Kosovo war and memory…
Review

Andrzej Żuławski’s Cosmos (2015)

Vol. 60 (December 2015) by Colette de Castro
Andrzej Żuławski’s film is more reminiscent of his son Xawery’s exuberant style than of the Gombrowicz novel it is allegedly based on.
Review

Eva Neymann’s Song of Songs (Pesn pesney, 2015)

Vol. 59 (November 2015) by Colette de Castro
This sensual and sensitive drama depicts a Jewish love story in the early 20th century.
Review

Andrey Konchalovsky’s The Postman’s White Nights (Belye nochi pochtalona Alekseya Tryapitsyna, 2014)

Vol. 57 (September 2015) by Colette de Castro
Colette de Castro reviews Andrei Konchalvosky's newest pic that earned him the Silver Lion at last year's Venice IFF.
Review

Gyula Nemes’ Zero (2015)

Vol. 56 (August 2015) by Colette de Castro
Colette de Castro reviews this controversial film about ecology.
Review

Slávek Horák’s Home Care (Domácí péče, 2015)

Vol. 55 (July 2015) by Colette de Castro
In this dramedy by Czech director Slavek Horak, a home-care nurse switches roles with her patients when she’s diagnosed with a terminal illness.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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