Aida Begić’s A Ballad (Balada, 2022)

Vol. 131 (January 2023) by Ana Grgić and Antonis Lagarias
Aida Begić’s latest film resists readymade interpretations when it comes to its representations of life on the Balkans and of feminism.

Aida Begić on A Ballad

Vol. 131 (January 2023) by Ana Grgić and Antonis Lagarias
A discussion on how the Balkans are perceived abroad and domestically.

Danis Tanović’s Not So Friendly Neighborhood Affair (Deset u pola, 2021)

Vol. 121 (January 2022) by Konstanty Kuzma
Danis Tanović addresses regional conflicts in the Balkans with tongue in cheek.

Stefan Pavlović’s Looking for Horses (2021)

Vol. 119 (November 2021) by Jack Page
A documentary reflection on trauma and the power of friendship.

Anja Kofmel’s Chris the Swiss (2018)

Vol. 92 (February 2019) by Alice Heneghan
Illustrator Anja Kofmel paints a subjective portrait of her journalist-turned-soldier cousin Christian Würtenberg, who died during the Yugoslav wars.

Simona Kostova’s Thirty (Dreissig, 2018) & Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 92 (February 2019) by Rohan Crickmar
Two female filmmakers with Balkan background work around the edges of their own biographies.

Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
In Ena Sendijarević's debut, we watch a young girl of Bosnian origin explore her identity and sexuality.

Dane Komljen’s All the Cities of the North (Svi severni gradovi, 2016)

Vol. 74 (April 2017) by Rohan Crickmar
This experimental feature addresses the problem of cohabitation through a minimalistic allegory.

Bobo Jelčić’s A Stranger (2013) & Ognjen Glavonić’s Depth Two (2016)

Vol. 64 (April 2016) by Moritz Pfeifer
Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.

Danis Tanović’s Death in Sarajevo (Smrt u Sarajevu, 2016)

Vol. 62 (February 2016) by Anastasia Eleftheriou
Oddly chic for its subject matter, Danis Tanović’s Levi-inspired competition entry is a failed attempt at political filmmaking.
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