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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Serbia as a Symptom of the Balkans: Internationalism & Globalization

Vol. 21 (September 2012) by Miško Šuvaković
Miško Šuvaković (University of Arts, Belgrade) situates his native Serbia within an emergent sphere of artistic production vis-à-vis the world of high art.
Review

Goran Marković’s Tito and Me (Tito i ja, 1992)

Vol. 22 (October 2012) by Konstanty Kuzma
In this Yugoslav cult comedy from the early 1990s, a boy claims his love for Tito is greater than that for his parents.
Review

Emir Kusturica’s Maradona by Kusturica (2008)

Vol. 21 (September 2012) by Konstanty Kuzma
Konstanty Kuzma saw Emir Kusturica's pseudo-documentary.
Review

Goran Paskaljević’s The Dog Who Loved Trains (Pas koji je voleo vozove, 1977)

Vol. 20 (August 2012) by Konstanty Kuzma
Paskaljević’s film starts out on board of a prison train: tired of the relentless heat in the train cabins, a group of lighthearted female prisoners decide to take their clothes off...
Interview

Maja Miloš on Clip

Vol. 19 (July 2012) by Ana Ribeiro
EEFB met up with Maja Miloš during the Transilvania International Film Festival to speak to her about her debut feature Clip.
Review

Slobodan Šijan’s Who’s Singin’ Over There? (Ko to tamo peva, 1980)

Vol. 19 (July 2012) by Konstanty Kuzma
Konstanty Kuzma saw Slobodan Šijan's debut feature from 1980.
Review

Maja Miloš’s Clip (Klip, 2012)

Vol. 19 (July 2012) by Ana Ribeiro
Maja Miloš's first feature is a bold film about teenagers..
Interview

Aida Begić on Children of Sarajevo

Vol. 18 (June 2012) by Colette de Castro
Aida Begic speaks about her latest feature which screened in the Un Certain Regard section of the Cannes film festival last month.
Review

Dušan Makavejev’s Sweet Movie (1974)

Vol. 18 (June 2012) by Konstanty Kuzma
Konstanty Kuzma saw Dušan Makavejev’s provocative feature which revolves around an unhappily married woman.
Review

Aida Begić’s Children of Sarajevo (2012)

Vol. 17 (May 2012) by Colette de Castro
Aida Begić’s new film concentrates on two young people, orphans of war.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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