• Perspectives
  • Retrospectives
  • Interviews
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Interview

Stefan Arsenijević on As Far As I Can Walk

Vol. 120 (December 2021) by Ana Grgić
Stefan Arsenijević discusses his As Far As I Can Walk, a migrant love story.
Review

Stefan Pavlović’s Looking for Horses (2021)

Vol. 119 (November 2021) by Jack Page
A documentary reflection on trauma and the power of friendship.
Review

Zrinko Ogresta’s A Blue Flower (Plavi cvijet, 2021)

Vol. 117 (September 2021) by Mihai Fulger
The latest feature of Zrinko Ogresta centers around a single mother and her relations with her surroundings.
Review

Srđan Kovačević’s Factory to the Workers (Tvornice Radnicima, 2021)

Vol. 117 (September 2021) by Zoe Aiano
A worker-owned factory in the throes of contemporary capitalism and political ignorance.
Interview

Srđan Kovačević on Factory to the Workers

Vol. 117 (September 2021) by Zoe Aiano
Srđan Kovačević discusses the politics and making of his film about a worker-owned factory in Croatia.
Interview

Pavo Marinković on the Pula Film Festival

Vol. 117 (September 2021) by Mihai Fulger
A conversation on the future of the Pula film festival with its new artistic director.
Review

Ivana Mladenović’s Ivana the Terrible (Ivana cea Groaznică, 2019)

Vol. 116 (Summer 2021) by Ana Ribeiro
Ivana Mladenović blurs the lines between documentary and fiction as she turns the camera on herself.
Review

Milica Tomovic’s Celts (Kelti, 2021)

Vol. 115 (May 2021) by Colette de Castro
The private and political spheres intermingle in this personal retelling of the Yugoslav Wars.
Review

Marta Popivoda’s Landscapes of Resistance (Pejzaži otpora, 2021)

Vol. 112 (February 2021) by Melina Tzamtzi
This film documents the story of a female ex-partisan who fought against the Nazis.
Review

Norika Sefa’s Looking for Venera (Në kërkim të Venerës, 2021)

Vol. 112 (February 2021) by Jack Page
Norika Sefa's debut feature is an impressive take on femininity, coming-of-age stories and town life.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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