• Perspectives
  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Interview

Stefan Arsenijević on As Far As I Can Walk

Vol. 120 (December 2021) by Ana Grgić
Stefan Arsenijević discusses his As Far As I Can Walk, a migrant love story.
Review

Ivana Mladenović’s Ivana the Terrible (Ivana cea Groaznică, 2019)

Vol. 116 (Summer 2021) by Ana Ribeiro
Ivana Mladenović blurs the lines between documentary and fiction as she turns the camera on herself.
Review

Milica Tomovic’s Celts (Kelti, 2021)

Vol. 115 (May 2021) by Colette de Castro
The private and political spheres intermingle in this personal retelling of the Yugoslav Wars.
Review

Marta Popivoda’s Landscapes of Resistance (Pejzaži otpora, 2021)

Vol. 112 (February 2021) by Melina Tzamtzi
This film documents the story of a female ex-partisan who fought against the Nazis.
Review

Marko Djordjević’s My Morning Laughter (Moj jutarnji smeh, 2019)

Vol. 106 (Summer 2020) by Mariana Hristova
Marko Djordjević turns to the phenomenon of "mummy's boys" on the Balkans.
Interview

Marko Djordjević on My Morning Laughter

Vol. 106 (Summer 2020) by Mariana Hristova
Serbian filmmaker Marko Djordjević speaks about the main ideas behind his mature debut feature.
Review

Anja Kofmel’s Chris the Swiss (2018)

Vol. 92 (February 2019) by Alice Heneghan
Illustrator Anja Kofmel paints a subjective portrait of her journalist-turned-soldier cousin Christian Würtenberg, who died during the Yugoslav wars.
Essay

Notes on Multimedia Montage

Vol. 87 (September 2018) by Igor Simić
Artist-filmmaker Igor Simić shares his thoughts on montage, new media and the the future of cinema.
Review

Nicolas Wagnières’ Hotel Jugoslavija (2017)

Vol. 85 (May 2018) by Zoe Aiano
Hotel Jugoslavija charts the concomitant rise and fall of the eponymous building in Belgrade and the country from which it takes its name.
Essay

Srđan Spasojević’s A Serbian Film (Srpski Film, 2010)

Vol. 78 (October 2017) by Anna Batori
What is the intent and potential rationale behind Srdjan Spasojević's willingly degrading film?
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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