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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Ivan Martinac’s Monolog on Split (Monolog o Splitu, 1961) & Lordan Zafranović’s People (Passing) II (Ljudi (u prolazu) II, 1967)

Vol. 136 (Summer 2023) by Frédéric Tachou
Experimental filmmaker Frédéric Tachou revisits two works from the Kino Klub Split through the prism of space.
Essay

Danilo Kiš’s Bare Life (Goli život, 1990) in Retrospect

Vol. 132 (February 2023) by McKenna Marko
McKenna Marko revisits an all but forgotten document of Yugoslav history.
Review

Milica Tomovic’s Celts (Kelti, 2021)

Vol. 115 (May 2021) by Colette de Castro
The private and political spheres intermingle in this personal retelling of the Yugoslav Wars.
Interview

Ivan Ramljak on Once Upon a Youth

Vol. 107 (September 2020) by Isabel Jacobs
We spoke to Ivan Ramljak during the DokuFest Prizren, where his collage-film Once Upon a Youth won the Balkan Doc competition.
Interview

Damjan Kozole on his Films

Vol. 92 (February 2019) by Alice Heneghan
Slovenian filmmaker Damjan Kozole speaks about the idea behind his 2003 feature Spare Parts, his career beginnings, and the future of cinema.
Review

Anja Kofmel’s Chris the Swiss (2018)

Vol. 92 (February 2019) by Alice Heneghan
Illustrator Anja Kofmel paints a subjective portrait of her journalist-turned-soldier cousin Christian Würtenberg, who died during the Yugoslav wars.
Essay

Mihovil Pansini’s Scusa Signorina (1963) & Karla Tobar’s <scanner_pack> project (2017)

Vol. 87 (September 2018) by Karla Tobar
Experimental filmmaker Karla Tobar reflects on her cinematic meeting with Mihovil Pansini's Scusa Signorina, a Yugoslav antifilm.
Review

Nicolas Wagnières’ Hotel Jugoslavija (2017)

Vol. 85 (May 2018) by Zoe Aiano
Hotel Jugoslavija charts the concomitant rise and fall of the eponymous building in Belgrade and the country from which it takes its name.
Essay

Filming Homosexuality in the Yugoslav Black Wave (1967-1971)

Vol. 78 (October 2017) by Sanja Lazarević Radak
This essay retraces the way Black Wave directors instrumentalized forms of sexuality perceived as "deviant" for their artistic purposes.
Essay

France Štiglic’s Valley of Peace (Dolina Miru, 1956)

Vol. 66 (Summer 2016) by Clarence Tsui
Clarence Tsui retraces the unlikely historical background of this 1956 Yugoslav drama.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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