Drahomíra Vihanová’s Squandered Sunday (Zabitá neděle, 1969)

Vol. 28 (April 2013) by Konstanty Kuzma
In Drahomíra Vihanová's feature debut, a young army officer contemplates suicide.

Jan Němec’s A Report on the Party and the Guests (O slavnosti a hostech, 1966)

Vol. 28 (April 2013) by Moritz Pfeifer
Moritz Pfeifer saw this film by Jan Němec, which was banned in 1966 and only made available after the Velvet Revolution in Czechoslovakia.

Věra Chytilová’s Daisies (Sedmikrásky, 1966)

Vol. 28 (April 2013) by Patricia Bass
Patricia Bass compares aspects of Věra Chytilová's Daisies to the American TV-Series The Jersey Shore.

Karel Vachek’s Moravian Hellas (Moravská Hellas, 1963)

Vol. 28 (April 2013) by Julia Zelman
Julia Zelman saw Karel Vachek's satirical documentary on a folklore festival in Czechoslovakia.

Jan Hřebejk’s The Holy Quaternity (Svatá Ctverice, 2012)

Vol. 23 (November 2012) by Anastasia Eleftheriou
Jan Hřebejk’s new film examines the endeavors of two couples to spice up their sex lives.

Jaromil Jireš’s And Give My Love to the Swallows (….a pozdravuji vlastovky, 1972)

Vol. 23 (November 2012) by Julia Zelman
Julia Zelman saw this 1972 film about Czech resistants during the Second World War.

Přemysl Pražský’s Prague Seamstresses (Pražské švadlenky, 1929)

Vol. 22 (October 2012) by Moritz Pfeifer
Přemysl Pražský’s 1929 intricate comedy revolves around the faith of a young, single woman.

Karel Kachyňa’s The Ear (Ucho, 1970)

Vol. 20 (August 2012) by Julia Zelman
The Ear is one of the most politically incendiary films to emerge from the Czechoslovak Young Wave.

Hermína Týrlová’s Les contes de la ferme (1972)

Vol. 20 (August 2012) by Moritz Pfeifer
Hermína Týrlová is considered one of the founders of Czech animation films...

Tomáš Luňák on Alois Nebel

Vol. 18 (June 2012) by Jean Roy
Czech director Tomáš Luňák speaks about his debut feature Alois Nebel.
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