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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Jan Hřebejk’s The Teacher (Ucitelka, 2016)

Vol. 74 (April 2017) by Julia Zelman
Julia Zelman reviews this film about a Communist-era teacher who uses her position to exact favors from her students' families.
Review

Olmo Omerzu’s Family Film (Rodinný film, 2015)

Vol. 74 (April 2017) by Rohan Crickmar
In Olmo Omerzu’s second feature-length work it is a dog’s life, for both a bourgeois Prague family and their erstwhile canine companion.
Review

Zuzana Piussi’s Czech Allah (Český Alláh, 2017)

Vol. 73 (March 2017) by Konstanty Kuzma
Zuzana Piussi's documentary recounts the Czech refugee debate.
Review

Július Ševčík’s A Prominent Patient (Masaryk, 2017)

Vol. 72 (February 2017) by Zoe Aiano
Július Ševčík returns to Czech cinema’s favorite historical theme: the 1938 Munich agreement.
Review

Jiří Strach’s Osmy (2014)

Vol. 71 (January 2017) by Konstanty Kuzma
In Jiří Strach's grotesque comedy, a man is mistaken for a dissident when he signs the Charta 77 during a night of heavy drinking.
Essay

Helena Třeštíková’s Mallory (2014)

Vol. 71 (January 2017) by Moritz Pfeifer
Is Helena Třeštíková aware of her work's moral implications?
Review

Andrea Slováková’s Recovering Industry (Rekonstrukce průmyslu, 2015)

Vol. 70 (December 2016) by Rohan Crickmar
Film theorist and documentarian Andrea Slováková explores the matrix of industrial interdependencies.
Review

Jiří Sádek’s The Noonday Witch (Polednice, 2016)

Vol. 68 (October 2016) by Zoe Aiano
Jiří Sádek's folk-inspired horror film gets entangled in awkward moralizing.
Review

Miroslav Janek’s Normal Autistic Film (Normální autistický film, 2016)

Vol. 67 (September 2016) by Patricia Bass
This documentary by Miroslav Janek tries its best to normalize autism, and succeeds - for the most part.
Review

Petr Oukropec’s In Your Dreams! (Ani ve snu!, 2016)

Vol. 67 (September 2016) by Patricia Bass
Petr Oukropec blends magical realism with a flashy sports theme in his unripe coming-of-age film.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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