Levan Zaqareishvili’s Tbilisi, Tbilisi (Tbiliso, Tbiliso, 2005)

Vol. 51 (March 2015) by Anna Batori
Anna Batori reviews this well-known Georgian film in the context of its meta-commentary on the Georgian film industry.

Tinatin Kajrishvili’s Brides (Patardzlebi, 2014)

Vol. 39 (March 2014) by Konstanty Kuzma
In this film a young mother must cope with the challenges of everyday life while her husband sits off a ten-year-sentence.

Levan Koguashvili on Blind Dates

Vol. 38 (February 2014) by Konstanty Kuzma
Levan Koguashvili speaks about New Georgian Cinema, his films, and comedic intentions.

Levan Koguashvili’s Blind Dates (Shemtkhveviti paemnebi, 2013)

Vol. 38 (February 2014) by Konstanty Kuzma
In Levan Koguashvili’s second feature, a fortysomething school teacher struggles to get his life together.

Rusudan Chkonia’s Keep Smiling (Gaigimet, 2012)

Vol. 34 (October 2013) by Colette de Castro
Rusudan Chkonia’s film revolves around a contest which claims to be seeking the "perfect mother".

Zaza Rusadze on A Fold in My Blanket

Vol. 26 (February 2013) by Konstanty Kuzma
We met Zaza Rusadze to speak to him about his film and the prospects of new Georgian cinema.

Zaza Rusadze’s A Fold in My Blanket (Chemi sabnis naketsi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
Zaza Rusadze’s debut feature oscillates between truth and phantasy, ultimately unable to stand on firm ground.

Nana Ekvtimishvili’s and Simon Groß’ In Bloom (Grzeli nateli dgeebi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
This problematic film nominally deals with Georgia’s past, and is stylistically heavily inspired by Cristian Mungiu.

Miguel Ángel Jiménez on Seagull

Vol. 23 (November 2012) by Anastasia Eleftheriou
We met Miguel Ángel Jiménez at the festival to talk to him about his new film.

Miguel Ángel Jiménez’ Seagull (Chaika, 2012)

Vol. 23 (November 2012) by Anastasia Eleftheriou
Chaika shows the different ways in which people can relate to their homeland…
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