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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Urban Planning as a Shifting Symbol in Soviet and post-Soviet cinema

Vol. 113 (March 2021) by Anna Guboglo
How concrete buildings have been deployed as symbols in Soviet and post-Soviet cinema.
Essay

Representation and Meaning of the Dacha in Contemporary Russian films

Vol. 113 (March 2021) by Maxim Plokhikh
This essay looks at two films that exemplify how the dacha is perceived in post-Soviet Russia.
Review

Radu Jude’s Bad Luck Banging or Loony Porn (Babardeală cu bucluc sau porno balamuc, 2021)

Vol. 112 (February 2021) by Zoe Aiano
A sex tape featuring a female teacher goes viral, exposing society's double standards and much else.
Essay

Lucian Pintilie’s Niki and Flo (Niki Ardelean, colonel în rezervă, 2003)

Vol. 112 (February 2021) by Lucian Tion
Lucian Tion examines how the failure of Niki and Flo prefigures the successes of the Romanian New Wave.
Essay

The role of montage in Radu Jude’s The Exit of the Trains (Ieşirea trenurilor din gară, 2020)

Vol. 112 (February 2021) by Anastasia Eleftheriou
This film examines and questions how we can document and remember the atrocities of the Iași pogroms.
Review

Marta Popivoda’s Landscapes of Resistance (Pejzaži otpora, 2021)

Vol. 112 (February 2021) by Melina Tzamtzi
This film documents the story of a female ex-partisan who fought against the Nazis.
Review

Elvin Adigozel’s Bilesuvar (2020)

Vol. 112 (February 2021) by Jack Page
Elvin Adigozel's latest film paints a piecemeal portrait of the mundane.
Review

Norika Sefa’s Looking for Venera (Në kërkim të Venerës, 2021)

Vol. 112 (February 2021) by Jack Page
Norika Sefa's debut feature is an impressive take on femininity, coming-of-age stories and town life.
Review

Dea Kulumbegashvili’s Beginning (Dasatskisi, 2020)

Vol. 112 (February 2021) by Daniil Lebedev
Dea Kulumbegashvili tells a sad story of biblical dimensions.
Review

Marian Crişan’s The Campain (Berliner, 2020)

Vol. 111 (January 2021) by Antonis Lagarias
Corruption and cynicism dominate Marian Crişan’s trite portrait of political culture.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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