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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Roman Bondarchuk’s Volcano (Vulkan, 2018)

Vol. 86 (Summer 2018) by Colette de Castro
In his debut fiction feature, Roman Bondarchuk returns to the chaos of the current political situation in Ukraine.
Interview

Roman Bondarchuk on Volcano

Vol. 86 (Summer 2018) by Editors
Ukrainian filmmaker Roman Bondarchuk talks us through the making of his debut fiction feature.
Review

Ivan I. Tverdovsky’s Jumpman (Podbrosy, 2018)

Vol. 86 (Summer 2018) by Colette de Castro
Tverdovsky's follow-up to his recent features is another story of outcasts.
Review

Vitaly Mansky’s Putin’s Witnesses (Svideteli Putina, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Vitaly Mansky rails against the passive bystanders of history, including himself, in this behind-the-scenes look at Putin's ascent to power.
Review

Radu Jude’s I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Radu Jude explores Romania’s complicity in the destruction of European Jews in his daring and intelligent film.
Review

Kirill Serebrennikov’s Summer (Leto, 2018)

Vol. 86 (Summer 2018) by Daniil Lebedev
Kirill Serebrennikov transcends the antagonisms dominating Russia in his summer movie set in the Soviet 1980s rock scene.
Review

Sonja Prosenc’s History of Love (Zgodovina ljubezni, 2018)

Vol. 86 (Summer 2018) by Colette de Castro
Sonja Prosenc is back at Karlovy Vary with a disappointing follow-up to her dreamy debut The Tree.
Interview

Sonja Prosenc on History of Love

Vol. 86 (Summer 2018) by Editors
We met Slovenian filmmaker Sonja Prosenc in Karlovy Vary, where her latest feature screened in the main competition.
Review

Sergei Loznitsa’s Donbass (2018)

Vol. 85 (May 2018) by Zoe Aiano
In his latest film, Loznitsa dwells on the cacophony and chaos of the Donbass region.
Review

Stephan Komandarev’s Directions (Posoki, 2017)

Vol. 85 (May 2018) by Zoe Aiano
It is literally night on earth in this cab-set feature from Bulgaria.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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