Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Moritz Pfeifer
Moritz Pfeifer reflects upon the different meanings attributed to the knife in Polanski’s piece.

Krzysztof Kieślowski’s The Scar (Blizna, 1976)

Vol. 4 (April 2011) by Konstanty Kuzma
The Scar is the tale of a man driven between his conscience and his party duties.

Jerzy Skolimowski’s Essential Killing (2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Vincent Gallo plays a political prisoner who escapes into the wild forests when being transported through Eastern Europe.

Michael Francis Gibson on The Mill and the Cross

Vol. 3 (March 2011) by Editors
We met Michael Gibson, the screenwriter of Lech Majewski's film, in Paris.

Paweł Sala on Mother Teresa of Cats

Vol. 2 (February 2011) by Colette de Castro
We spoke to Paweł Sala about the style of his film, the psychology of the characters, and his upcoming projects.

Jan Komasa’s Suicide Room (Sala Samobojcow, 2011)

Vol. 2 (February 2011) by Konstanty Kuzma
Jan Komasa enters into the lives of suicidal people who meet online to share their feelings with fellow-minded souls.

Paweł Sala’s Mother Teresa of Cats (Matka Teresa od kotów, 2010)

Vol. 2 (February 2011) by Colette de Castro
Paweł Sala reconstructs a matricide that happened in Poland during the nineties.

Lech Majewski’s The Mill and the Cross (2010)

Vol. 2 (February 2011) by Moritz Pfeifer
Lech Majewski's The Mill and the Cross is a cinematic version of the famous Brueghel painting.

Waldemar Krzystek’s Little Moscow (Mała Moskwa, 2008)

Vol. 2 (February 2011) by Konstanty Kuzma
Waldemar Krzystek’s Little Moscow recounts the romance between the wife of a Russian officer and a Polish soldier.

Marcin Wrona on My Flesh, My Blood

Vol. 1 (January 2011) by Colette de Castro
Polish director Marcin Wrona discusses his new film.
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