Przemysław Wojcieszek’s Secret (Sekret, 2012)

Vol. 14 (February 2012) by Colette de Castro
Przemysław Wojcieszek’s film is a study of three mismatched Poles. As the title of the film suggests, one of them has a secret…

Philip Scheffner’s Revision (2012)

Vol. 14 (February 2012) by Patricia Bass
Patricia Bass saw Philip Scheffner’s documentary that screened at the Berlinale this year.

Małgorzata Szumowska’s Elles (2011)

Vol. 14 (February 2012) by Colette de Castro
Two Polish students earn their living in Paris working as callgirls…

Walerian Borowczyk’s Les jeux des anges (1964)

Vol. 12 (December 2011) by Patricia Bass
Patricia Bass saw Walerian Borowczyk's experimental short from 1964.

Andrzej Wajda’s Man of Marble (Czlowiek z marmuru, 1976)

Vol. 10 (October 2011) by Stefania Marghitu
Stefania Marghitu takes a look at Andrej Wajda's famous Man of Marble.

Jacek Borcuch’s All That I Love (Wszystko, co kocham, 2009)

Vol. 7 (July 2011) by Colette de Castro
Jacek Borcuch's feature follows Janek, the member of a punk band, who tries to resist the obstacles of Socialist Poland in the '80s.

Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Konstanty Kuzma
Konstanty Kuzma examines the nature of potency in Polanski’s film.

Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Moritz Pfeifer
Moritz Pfeifer reflects upon the different meanings attributed to the knife in Polanski’s piece.

Krzysztof Kieślowski’s The Scar (Blizna, 1976)

Vol. 4 (April 2011) by Konstanty Kuzma
The Scar is the tale of a man driven between his conscience and his party duties.

Jerzy Skolimowski’s Essential Killing (2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Vincent Gallo plays a political prisoner who escapes into the wild forests when being transported through Eastern Europe.
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