Paul Negoescu’s The Story of a Summer Lover (Povestea unui pierde-vară, 2018)

Vol. 95 (May 2019) by Jack Page
The Story of a Summer Lover seems to idealize Woody Allen’s sensibilities for nostalgia and unfortunately chauvinism.

Marius Olteanu’s Monsters. (Monștri., 2019)

Vol. 93 (March 2019) by Zoe Aiano
Monsters depicts the crisis point in a relationship between a young, seemingly well-to-do couple.

Diana Vidrașcu’s Silence of the Sirens (Le silence des Sirènes, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This loose adaptation of Kafka's eponymous short story is a playful, and often provocative exercise in cinematic genres.

Radu Jude’s The Marshal’s Two Executions (Cele două execuții ale Mareșalului, 2018)

Vol. 91 (January 2019) by Colette de Castro
Radu Jude's latest feat compares original rushes of the execution of four collaborationist Romanian politicians with a fictional remake of the same scene.

Radu Jude on I Do Not Care If We Go Down in History as Barbarians

Vol. 89 (November 2018) by Ana Grgić
Radu Jude speaks about making his latest film, its theoretical underpinnings, and shooting on celluloid.

Radu Jude’s I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Radu Jude explores Romania’s complicity in the destruction of European Jews in his daring and intelligent film.

Daniel Sandu’s One Step Behind the Seraphim (Un pas în urma serafimilor, 2017)

Vol. 85 (May 2018) by Zoe Aiano
In this debut feature, a group of teenagers enter a seminary in 1990s Romania.

Adina Pintilie’s Touch Me Not (2018)

Vol. 85 (May 2018) by Zoe Aiano
In her experimental and personal feature that won her the main award at the 2018 Berlinale, Adina Pintilie meditates on the theme of intimacy.

Adina Pintilie on Touch Me Not

Vol. 85 (May 2018) by Zoe Aiano
We met filmmaker Adina Pintilie to speak to her about her 2018 Golden Bear winner.

Ioana Uricaru’s Lemonade (Luna de miere, 2017)

Vol. 83 (March 2018) by Jack Page
Uricaru's debut feature is an embittered and scathing vision of immigrant life in contemporary America.
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